Lost in music: Dao Anh Khanh performs during a meeting with the media at Gam Troi Valley in Hoa Binh Province prior to the art festival Dao Xuan Chin. — Photo courtesy of Dao Xuan Festival
Viet Nam News
by Bao Hoa
Controversy prior to Dao Anh Khanh’s show
Stood erect in a valley some 50km from Ha Noi are three sculptures made from concrete that resemble three giant penises.
Twenty-five metres tall and painted half white, half grey, they are the trademarks of Gam Troi Valley, a 10ha area in Hoa Binh Province where one of Viet Nam’s biggest and most-anticipated events of the year is taking place this weekend.
Dao Xuan Chin, roughly translated as ‘New Year Meeting Number Nine’, is the ninth edition of a series of art festivals called Dao Xuan held by Vietnamese contemporary artist Dao Anh Khanh at the beginning of the year over the past 20 years.
It is the biggest and the last of its kind, as the artist said this would be the last time Dao Xuan would be held.
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| Symbol of fertility: Two concrete sculptures that resemble male genital, known in Hinduism as linga, at Gam Troi Valley. — VNS Photos Doan Tung |
Known as the weirdest and most outstanding performance artist in Viet Nam, Khanh has an obsession for symbols of fertility.
He envisioned 25 male genitals adorning his beloved valley, the land he bought 20 years ago, which has now been turned into a space that connects humans, art and nature.
For about 15,000 visitors, this weekend is the opportunity to enjoy hundreds of performances, dancing, music, installation art, body painting, sculptures and other art activities offered by 300 international and local artists for free.
For Khanh this is his dream come true, but it’s time for him to start a new, quieter journey.
“I have found other areas in life that I would like to focus on in the time I have left, which requires as much investment as I have made for the Dao Xuan series,” he said at a press meeting prior to the festival.
“Dao Xuan Chin is the peak of everything I have been striving to do over the past 10 years to turn my dreams into a reality. It has been a difficult process, not only in terms of intellectual investment and physical requirement but also financial capacity.”
Even though his artistic journey does not end here, he would like to spend time getting to know himself better, Khanh said.
If Dao Xuan is one long performance with which Khanh has made a name for himself, Dao Xuan Chin is his grand finale. And he sure wants to be remembered for it.
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| Nature art: Red cotton tree flowers adorn Gam Troi Valley. |
One of a kind
Looking at Khanh feels like watching Miss Peregrine’s Home for Peculiar Children. He is peculiar in every way, and in a good way.
Long-haired and most of the time dressed in tight clothing with paint stains on his fingernails, he gives off the impression more of a house painter than an artist.
When he talks about nature – his inspiration – he talks about things like ‘energy from the universe’, ‘power of nature’, ‘the magical language of nature’.
His performing style strangely resembles Yoko Ono in “Cut Piece” (1965) and Marina Abramovich in “Rhythm 0” (1974) in a sense that the artist was vulnerable to the public throughout the performance.
He didn’t go to the extreme and let people cut off pieces of his clothes or let them do what they wanted to him, but often with his eyes closed, his body moving to the music and incomprehensible murmurs coming out of his mouth, the audience could feel he was letting loose and letting go of the basic instincts of self-defence.
But as contemporary performing art is still new in Viet Nam, Khanh’s performances did not receive high praise from the majority of the public.
They were often characterised as ‘weird’, ‘strange’ and ‘incomprehensible’. And Khanh’s name and the adjective ‘crazy’ go in hand like a cute couple in the Vietnamese media.
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| Back to nature: An overview of Gam Troi Valley, a 10ha area in Hoa Binh Province that Dao Anh Khanh purchased and turned into an open art space. |
In 2003 he was detained by police in the middle of a fire performance by Hoan Kiem Lake in Ha Noi for performing without a licence or ensuring his own safety.
In 2012 he took a whole day to walk around the lake, moving only one centimeter with each step.
In 2013 he and his colleagues were shooed away by farmers while performing in the Middle Island of the Red River, because they were blocking the way and destroying their crops.
But as his good musician friend Le Minh Son put it, Khanh’s craziness is ‘fake’ and he has ‘the soundest mind of them all’.
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| Like a dream: Decorations prepared for Dao Xuan Chin art festival. |
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| Stage 2: Dao Anh Khanh introduces an area in Gam Troi Valley that will be turned into a stage during Dao Xuan Chin. |
Khanh knows he is crazy and owns it.
He said: “For artists, to be able to find something they can be proud of is a victory which comes at a great cost. It requires immeasurable effort to create something that tells the world who they are and conveys their finest qualities.
“What people often consider ‘weird’ and ‘strange’ depends on different perspectives. Such things can come from the artists themselves who want to create something they can feel proud to claim as their own. And whether the public says it is ‘weird’ or ‘strange’ depends on their awareness, knowledge and cultural backgrounds, which most of the time have not reached a level where they can appreciate the emotions, information and artistic values that artists want to convey.
“Weirdness is not a provocation. It is a motive, a development purpose of art and artists.”
At 60, Khanh has had 20-odd years of practising art.
For him art is larger than life and it is what makes life worthwhile.
“Some say art is life. That’s not wrong, but for me art rises above life thanks to its fierceness and its power and ability to lead the soul,” he said.
“Pioneering and innovation is essential in every field, but I want to emphasise the positivists, strangeness and uniqueness of art because without it we would exist just as some dull, still boring curtains.
“Life may be art in itself, I know, but true art must rise above life so that it can take the human soul to new places. Because our need to feel, to enjoy, is endless.”
"I don’t want young artists to see me as a role model and do what I have done because everyone is different," he said.
“One important lesson I learned after all these years is to always stay true to your soul, and always strive toward having a beautiful soul.
“Offer people only what is really, truly, strongly yours. Don’t even think about giving millions of people what you don’t have and don’t love, because that’s faking it.”
Staying true to himself is what earns Khanh respect from his fellow artists in and out of Viet Nam.
Japanese sound artist Kazehito Seki, music curator of Dao Xuan Chin, said: “[Khanh] is a really unpredictable guy. Like noise. Like contemporary art itself. He is really art.”
Dao Xuan Chin is coming to an end, but Khanh and his art will always be something to remember, even if just as a big question mark to the general public.
That’s not necessarily a bad thing, because art is not meant to be understood. It is meant for one to question oneself and to know of other ways of being, of seeing things. — VNS
Controversy prior to Dao Anh Khanh’s show
With only hours left before avant-guard artist Dao Anh Khanh’s final show, Dao Xuan Chin, the ninth in a series of events that take place every spring, may have the plug pulled on it.
Viet Nam News reporters travelled to Gam Troi Valley to attend a press briefing and interview the artists, and hours before we go to print, news from the Department of Culture, Sport and Tourism in Hoa Binh Province, where the performance is scheduled to take place, said the organizers had not been granted a licence.
An exhibition titled Dao Xuan Chin, an international arts festival, one activity included in the 24-hour show, had received a licence from the Department of Performing Arts under the Ministry of Culture and Information, which is responsible for providing licences for public performances.
On January 30, Dao Anh Khanh and his Ky Phat Trading and Service Company submitted an application for a Music and Performance Festival License for March 23-24, 2019.
On March 19, the department received a letter dated March 14 from the same company withdrawing the application, saying the event would be a celebration of the artist’s 60th birthday and would not involve music performances.
But Hoa Binh authorities were quoted as saying they needed the artist to present a licence for a large gathering of people and for activities that would take place past 10pm.
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