Viet Nam News
Paintings on wall once added to the richness of art in Ha Noi.
Now, however, it has become a bit much.
Some artists are saying that many new wall paintings are the work of unqualified artists.
They also say that painting on walls seems to be out of control.
Dao Mai Phuong
The rising number of murals has breathed new life into Ha Noi’s streets, however, artists and art-lovers warn that poor paintings popping up all over the city are threatening the value of street art as well as the capital’s image.
Around 10 years ago, a ’ceramic mosaic mural’ was put up along the Red River dyke in Ha Noi. The impressive stretch of art runs from Tran Khanh Du Street in Hai Ba Trung District to Nghi Tam in Tay Ho District, marking a milestone for street art in the capital city.
It is not hard today to find hundreds of walls covered with paintings on daily life, historical scenes and landscapes.
Streets with murals include Phung Hung, Phan Dinh Phung, Duy Tan, Ho Tung Mau, Chua Lang and villages such as Phu Thuong and Dan Phuong.
Nevertheless, instead of receiving appreciation like the ceramic work, the movement today has caused concern among Viet Nam’s art community.
Some said many of the wall paintings were not good, while others said the explosion of street art was uncontrolled.
“Most of the murals, particularly on small streets, are obviously created by unqualified artists. They are likely just students or those who do not have experience with painting large frescos,” artist Bui Hoang Duong told Viet Nam News.
Duong revealed that in many cases, artists who were awarded contracts from city authorities hired students to do the work, resulting in low-quality murals.
“Street art stems from wandering painters who want to show off their talent and attract the attention of passers-by,” Duong said.
Street art is also used as a tool to boost tourism and authorities were keen on using this practice to brighten up the city.
Duong mentioned the ceramic mosaic mural as a good example of Ha Noi’s success in promoting the image of the capital city.
The 810m section of the ceramic mosaic set a Guinness World Record in 2010 for the largest ceramic mosaic with a plaque “in celebration of Thang Long-Ha Noi’s millennium anniversary”.
It also helped improve public awareness about the city’s history and culture.
However, Duong said since murals have spread, many of the works have lost sight of this aim. They now focus on the creators’ ideas and are not popular among the public.
Some of the viewers themselves had vandalised the works.
As they did not understand the major aims of the art and thought it was a kind of public property, they intentionally ruined them by damaging the walls or adding their own details.
Meanwhile, artist Bui Thanh Phuong said murals should only be used to make streets more beautiful.
“If street art becomes a trend, it is easy for it to be abused and it will become a disaster,” said Phuong.
The Ha Noi-based artist commented that the abuse of street art will make streets less attractive.
Phan Dinh Phung is often regarded as one of the most peaceful in Ha Noi, which is now witnessing big changes after a fresco went up on one of its walls.
Instead of the quiet and peaceful atmosphere of the past, the street now has become more and more crowded with teenagers using the mural paintings as a backdrop for their selfies.
Hoang Trong Bach, a man living near the street, told Viet Nam News he felt the paintings did not convey the ideas of the artists.
“Some of them (the paintings) do not possess any sense of beauty or art," Bach complained.
Meanwhile, Nguyen Ngoc Tien, a researcher, said there was no need for the murals on Phan Dinh Phung.
“The street itself was nice before the painting. Its wide pavements and old trees surrounding French-style villas were more beautiful,” Tien was quoted as saying on laodong.vn.
Artist Tran Khanh Chuong appealed for painters to be more considerate before undertaking a street art project.
“Street art should be controlled in Ha Noi because if it becomes rampant, the risk of ‘visual pollution’ will rise," said Chuong.
According to the artist, Ha Noi is in need of planning and managing the murals in streets, not to let them free and rampant as it happens now.
The Ha Noi Department of Culture and Sports is responsible for granting permits to large street art projects but not small murals.
Thus the department appealed for more participation from authorities and local people in assessing and managing the content and quality of small-scale paintings. VNS
GLOSSARY
The rising number of murals has breathed new life into Ha Noi’s streets, however, artists and art-lovers warn that poor paintings popping up all over the city are threatening the value of street art as well as the capital’s image.
Murals are wall paintings.
A city’s image is the way people see and think about the city.
Around 10 years ago, a ’ceramic mosaic mural’ was put up along the Red River dyke in Ha Noi.
A mosaic is artwork made from chips pasted on to a surface.
Ceramic means pottery.
A dyke is a wall made to keep water out.
The impressive stretch of art runs from Tran Khanh Du Street in Hai Ba Trung District to Nghi Tam in Tay Ho District, marking a milestone for street art in the capital city.
A milestone is a landmark.
Nevertheless, instead of receiving appreciation like the ceramic work, the movement today has caused concern among Viet Nam’s art community.
Appreciation comes about when people value something.
Concern means worry.
“They are likely just students or those who do not have experience with painting large frescos,” artist Bui Hoang Duong told Viet Nam News.
A fresco is an outside wall painting.
“Street art stems from wandering painters who want to show off their talent and attract the attention of passers-by,” Duong said.
Talent is natural skill.
The 810m section of the ceramic mosaic set a Guinness World Record in 2010 for the largest ceramic mosaic with a plaque “in celebration of Thang Long-Ha Noi’s millennium anniversary”.
Millennium means a thousand years.
“If street art becomes a trend, it is easy for it to be abused and it will become a disaster,” said Phuong.
A trend is a fashion.
Instead of the quiet and peaceful atmosphere of the past, the street now has become more and more crowded with teenagers using the mural paintings as a backdrop for their selfies.
A backdrop is a background.
Hoang Trong Bach, a man living near the street, told Viet Nam News he felt the paintings did not convey the ideas of the artists.
Convey means to send a message.
“Some of them (the paintings) do not possess any sense of beauty or art," Bach complained.
To possess means to have.
“The street itself was nice before the painting. Its wide pavements and old trees surrounding - villas were more beautiful,” Tien was quoted as saying on laodong.vn.
To quote someone means to say they said something.
Artist Tran Khanh Chuong appealed for painters to be more considerate before undertaking a street art project.
To appeal means to ask in a formal way.
To be considerate means to think of other people.
“Street art should be controlled in Ha Noi because if it becomes rampant, the risk of ‘visual pollution’ will rise," said Chuong.
Rampant means uncontrolled.
Visual means to do with seeing things.
The Ha Noi Department of Culture and Sports is responsible for granting permits to large street art projects but not small murals.
Permits are certificates that show you have permission to do something.
Thus the department appealed for more participation from authorities and local people in assessing and managing the content and quality of small-scale paintings.
Assessing means working out the value of something.
WORKSHEET
State whether the following sentences are true or false :
- Street art was used to boost tourism in Ha Noi.
- Artist Bui Thanh Phuong warns that street art can easily become abused.
- There are many frescoes on the walls in Phan Dinh Phung Street.
- Researcher Nguyen Ngoc Tien says it is important for Phan Dinh Phung Street to have many murals.
- Out of control mural art has been called visual pollution.
ANSWERS:
© Duncan Guy/Learn the News/ Viet Nam News 2018
1. True; 2. True; 3. True; 4. False; 5. True.